Saturday, December 19, 2009

The Vanishing of Katharina Linden by Helen Grant

Set in an outwardly innocuous and mostly uneventful German backwater town, The Vanishing of Katharina Linden is an atmospheric, slow-building thriller in which nothing is ever what it seems. Peppered with German phrases and colloquialisms that conjure the spirit of the setting and its people, Helen Grant’s portrayal of place is cleverly and vividly executed.

A sometimes uncomfortably close community of curtain-twitchers and busybodies, everyone knows everyone else’s business in Bad Münsereifel, or thinks they do. For Pia, the schoolgirl infamous and ostracised for having an exploding grandmother, the unfolding of a sinister murder-mystery becomes a welcome obsession on which to focus her frustrated energies. She and the other school pariah, ‘Stink Stefan’ - thrown together by default - team up to try and figure out what is happening to the girls of the town, who keep disappearing.

Apart from said disapperances, the odd allusion to dubious incidents of the past, and some imparting of spooky local folklore, the first three-quarters of the book ticks along gently without much actual hair-raising. It’s not until right at the end that the pace really picks up and all of a sudden explodes into a startlingly chilling climax, packed with twists and turns and some genuinely stomach-churning moments. Gripping stuff, but not for the faint hearted.

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